Tavia Christina is a multi-hyphenate artist who embraces their ethereal nature as a driving force in artistic expression and research. Their work seamlessly blends genres across dance, theatre, and performance art. As Artistic Director of Near & Far Projects, their choreographic research and development are influenced by improvisation, sound, voice work, and a deep connection to the surrounding ecology. With a background spanning Western contemporary dance, street dance, and classical ballet, Tavia also holds interests in various other art forms, including curation, acting, poetry, film, and death work. They have been a resident artist at the Woodland Farm (2024), Toronto Dance Theatre (2023-2024), Toronto Heliconian Club (2019-2022), and Naked State (2018).

Through this internship, Tavia will strengthen their ability in leadership and expand their skills in producing, market development, touring, and company management.

Kass Prus (they/them) is a trans non-binary and disabled multidisciplinary performer, movement therapist, and facilitator. Born in a home immersed in ancestral Ukrainian traditions, music, art, and resistance to imperialism, Kass now uses contemporary performance to queer and crip Slavic folk arts practices as a way of reclaiming their heritage.

As a changemaker and administrator, Kass operates from the understanding that illness, pain, and mental health challenges are intrinsically connected to the systemic oppression upon which colonial systems stand. Their current work in strategic direction builds on a decade of one-on-one client work; embracing the superpowers of their autistic brain; alongside recent experiences with Generator TO, Dancemakers, Nightwood Innovators, Shay Erlich Consulting, Rhubarb Festival, and The Stay Connected Program for Seniors.

Through their internship, Kass will explore how sectoral resources, organizational structures, policies, and arts service organizations impede or encourage accessibility in the field, with the aim of strengthening their capacity to better support and resource disabled arts workers.

Carolina Rojas is a dancer, choreographer, and arts administrator. She earned a degree in Dance Interpretation from Las Americas University in Santiago, Chile. In 2012, she co-founded Danza Independiente Antofagasta with the goal of expanding dance horizons in her hometown. Carolina launched the Interpreters in Dance School project in 2013, providing free training to aspiring dancers, fostering community growth and education.

Since moving to Canada in 2017, she has expanded her repertoire by contributing to the Dance Migration Company and volunteering with Chilean associations, sharing her cultural heritage and commitment to community empowerment.

Through this internship, Carolina will enhance her skills in arts administration and production, aligning with her goal to contribute to Toronto’s arts industry. Her vision prioritizes inclusivity and accessibility, particularly for Latin American communities in Toronto, and facilitating artist exchanges.

Jennifer Stephen comes from Yellowknife, NT, and holds a Master’s degree in Music from Bowling Green State University, a Bachelor of Music from Memorial University, and an Artist Diploma from the Glenn Gould School of the Royal Conservatory of Music. She served as Assistant Librarian of the Hamilton Philharmonic Orchestra from 2018 to 2022, eventually transitioning into the role of Artistic Administrator in 2021, a position she continues to hold.

As a professional tuba player, Jennifer has been a driving administrative force behind the Toronto Brass Quintet, an innovative ensemble focused on pushing the boundaries of traditional musical art forms. She is on the Creative Committee of the Canadian Women’s Brass Collective, which seeks to raise awareness of gender diversity and to amplify and celebrate underrepresented voices in Canadian Brass music.

Through her internship, Jennifer upon the foundation of administrative skills she has acquired throughout her career to support programming and institutions that broaden the range of voices heard in traditional music forms.

Cuban-born Alondra Vega-Zaldivar is a composer, opera singer, and teacher residing in Barrie, Ontario. Her pieces have been performed across Canada, the United States, and as far away as Milna, Croatia. She is the founder, producer, and performer/composer of the Art Song Collaborative Project (ASCP), which brings Canadian and international composers together to collaborate on new vocal works.

Alondra latest work is Kempenfelt Kelly, an opera for children aged nine and up. With a libretto written by Sabrina Merks, the opera was produced and performed at the Simcoe County Theatre Festival in July 2024.

Alondra is also a music teacher and part of the Regional Advisory Council of the Canadian Music Centre.

Through this internship, Alondra will expand her artistic practice by learning how to manage a multidisciplinary nonprofit arts organization, production planning for a variety of diverse programs, festivals, residencies, and educational workshops, and honing in on her communication and leadership skills.

Jesse Wabegijig (they/them) is an Ojibway performer, community arts leader, facilitator, dramaturge, director, and puppet maker. They are passionately involved in the preservation of Indigenous cultural heritage and maintain a practice as a firekeeper and storyteller. Jesse has had the opportunity to work with many historically significant companies that have shaped both the Indigenous and public art sectors in Canada, including Debajehmujig Storytellers, Shadowland Theatre, the National Arts Centre, Paprika Festival, Jumblies Theatre, The Community Arts Guild, and MABELLEarts. They have trained extensively with the Centre for Indigenous Theatre.

Through this internship, Jesse will deepen their goals of cultural preservation and cultural intersection.

Beth Airton (they/them) works as a producer, stage manager, and assistant director across the Canadian theatre and film industries. They are a co-founder of Apothecary Theatre Collective, a queer ensemble dedicated to producing equitable and diverse performance projects. Beth’s joy for production comes from helping artists transform their wildest ideas into practical, applicable realities. Previously, they had the pleasure of working with the Alberta Ballet, Toronto Fringe Festival, Crow’s Theatre, Buddies in Bad Times, Hamilton Fringe Festival, Dandelion Theatre, BodyCube Arts Collective, One Yellow Rabbit, and a variety of television and film productions.

Beth’s internship will allow them to gain greater understanding of the systems, structures, and policies guiding Canadian theatrical organizations to advance their abilities and knowledge of executive leadership, programming development, and organizational management.

Maria Paula Carreño-Martínez (she/her) is an award-winning actor and performance art creator of diverse ancestry born in Bacatá, Colombia. She trained at Academia Charlot in Colombia, Humber College, Sheridan College, and The Second City in Toronto, as well as other institutions. Maria Paula’s creations have been presented at Buddies in Bad Times, the Al Green Theatre, Daniel’s Spectrum, Factory Theatre, Harbourfront Centre, Theatre Erindale, the Fairview Library Theatre, and the aluCine Latin Film + Media Arts Festival. She has been in a number of voice, film, and television projects in Canada, Colombia, and France. She is passionate about honouring her ancestry, supporting mental health through performance, and connecting communities through art and culture.

Maria Paula’s internship will focus on artistic leadership, direction, dramaturgy, producing, and collective creation so she can develop the tools needed to ground her artistic vision and serve as a mentor to others in the future.

Caitie Graham (she/her) is a Toronto-based dramaturg who’s supported over 30 individual playwrights on new projects and has been credited on four Canadian world premieres. She’s designed and facilitated playwriting programs for emerging and established artists across the province, most notably at Tarragon Theatre, Scarborough Arts, Driftwood Theatre Group, and Pat the Dog. Select production credits include Queen Goneril by Erin Shields (Soulpepper Theatre) and Living with Shakespeare by Jeremy Smith and Steven Gallagher (Driftwood Theatre Group).

Through her internship, Caitie seeks to broaden the impact of her dramaturgical work by growing her craft in artistic direction under Driftwood’s new mandate to exclusively develop and support new Canadian work.

Nika Jalali (she/her) is an Iranian-Canadian multi-disciplinary artist, producer, and creator. She is devoted to curating spaces and pushing boundaries for racialized communities to perform and share their stories on Canadian and international stages. Nika recently graduated from Toronto Metropolitan University with a BFA in Performance Production & Design, and is pursuing her passion for provoking change and challenging social and political “norms” by telling the stories of marginalized communities through art and theatre. As part of her collaboration on interdisciplinary projects, Nika has worked in countries such as Italy, Scotland, the Czech Republic, and Germany.

Through her internship, Nika seeks to broaden her skills in artistic producing in support of her goal to re-imagine theatre and create more welcoming stages for both audiences and artists.

Mandy E. MacLean (she/her) is a multi-hyphenate artist and proud Maritimer, now based in Toronto. She is a member of the Mad community, has had multiple experiences of traumatic brain injury, and has a Cocker Spaniel named Mulder. Mandy is influenced by her training with SITI Company and members of SCOT. Her recent work includes access support for Blind Dates (Theatre Passe Muraille) and The Concussion Play (in development, supported by Why Not Theatre and the Ontario Arts Council). Mandy collaborates in a variety of roles and recently coordinated an access-based project with Prologue Performing Arts and the W. Ross School for the Blind. Currently, she serves as the Arts Activation Coordinator for Frog in Hand’s Art Shelter, a placemaking venture in Port Credit. As she collaborates and interacts with structures and practices, she believes that considering access, in all forms, can lead to exciting work and experiences for everyone.

Mandy’s internship will strengthen her capacity to lead her own company, projects, and work by creating new ways to hold, care, and consider access in all its unique forms.

Michelle Mohammed is an artist, actor, and director. In 2023, she played Betty and Anu in A Poem for Rabia (Tarragon Theatre) and Des in Yerma (Coal Mine Theatre), assistant directed Peter Hinton in The Hooves Belonged to the Deer (Tarragon Theatre), and worked as Artistic Associate at Suitcase in Point and Toronto Company Manager for The Mahabharata at Why Not Theatre.

When she is not working on a production, Michelle works on her artistic leadership skills with artists and companies she admires. Select credits: Olga in Orphan’s for the Czar (Crow’s Theatre), Villager in Chitra (Shaw Festival), Puck in A Midsummer Night’s Dream (Shakespeare BASH’d), Creator in The Mahabharata (Workshops) (Why Not Theatre/Shaw Festival), Ruby and the Well (Shaftesbury), and Murdoch Mysteries (CBC).

This internship will allow Michelle to develop her skills as an artistic director interested in challenging the status quo of Canadian theatre-making. She will also explore the main roles and responsibilities of an artistic director, balancing artistic practice and leadership responsibilities, and gain an understanding of the artistic director role in relation to other departments of an organization.

Dainty Smith is a burlesque artist, curator, playwright, and producer. She is the founder of Les Femmes Fatales: Women and Femmes of Colour Burlesque Troupe — the first troupe for Black women, women of colour, femmes and gender non-conforming persons in Canada. She is passionate about creating spaces that are safe for art making and performance for Black, People of Colour, Indigenous, queer, and trans bodies, affirming their right to take up space and ensuring their representation in discussions about desirability politics.

Through her internship, Dainty seeks to solidify, expand, and grow her storytelling and curation practice surrounded by women who understand what it is to advocate for art forms from the margins.

Athena So is a Chinese-Canadian music director, pianist, and arts educator based in Toronto. She holds degrees in Music and Education from York University but has always been fascinated with storytelling and collaboration. Athena’s career in theatre began in her post-secondary years, where she worked as a rehearsal pianist and pit musician and found her passion for music direction shortly after. Since then, Athena has workshopped new musicals in the US and Canada, music directed productions in Toronto, and accompanied vocalists at various cabarets and concerts. She is currently a music director at The Second City Toronto and a faculty member of Randolph College for the Performing Arts.

Through her internship, Athena is eager to become more confident conducting professional casts and larger orchestras through the effective communication of musical ideas through gestures.

Dr. Jess Watkin received her PhD at the University of Toronto’s Centre for Drama, Theatre, and Performance studies. Her research focuses on Disability dramaturgy, approaches to performance creation/production, and Disability related activism. She is a Blind artist-scholar living in Toronto, who loves making tactile art and showing up as the Disabled artist in many creative spaces to ensure care is prioritized for all.

As an artist-scholar, Jessica is interested in continually developing her practice, and is excited to spend her internship learning more about the production-related aspects of dramaturgy and getting to know the current dramaturgical environment more meaningfully.